FontShop publishes email newsletters on a bi-monthly basis. Each newsletter featured either new releases, previous type face releases now available in OpenType, FontShop website updates and other related information. I was responsible for designing the type specimens and headers for each newsletter, then coding HTML and email versions for the 90,000+ member mailing list.
The challenge was to concisely convey the versatility and appeal of the typefaces in a three or four-line specimen. Display fonts were allowed one or two lines.
The N-Gage Developer Department in Vancouver approached me to design animal characters and title screens for a game that would demonstrate their gaming API. Because this was a demo version, I had a lot of flexibility to design the animal characters.
One of my favorite typographic assignments from design school, this was from our Mysterious Signs project. Our task was to create a set of six signs, install them somewhere temporarily, photograph them and then create a book illustrated by them. It was up to us to create either a book that explained or further compounded the mystery.
A logo for one of my grad year projects. Mustn’t Grumble was a line of knitted accessories that used intarsia (a technique using multiple strands of colored yarn) to render enlarged, pixelated typefaces. I used typefaces specifically designed for flash animation.
The challenge for this student project was to create a wordmark that captured the essence of a city. London is a city of movement, with lives intersecting and dispersing. People from all over the world move through the city, either for a few days, a few years, or for a lifetime. The angular serifs and intersecting lines of the London wordmark reflect the movement of people through the city.
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